This studio course provides an introduction to the basic ideas and techniques needed for the comprehension and construction of the built environment. Starting with elemental design concerns, students will be asked to use what they learn in order to create ever larger and more complex entities. Site-specific assignments making use of Paris and its history will oblige the students to engage in the “conversation” of the urban world.
| Day | Start Time | End Time | Room |
|---|---|---|---|
Monday | 09:00 | 11:55 | M-014 |
For students with little or no previous experience in drawing or painting. First analyzes still life objects in basic plastic terms starting with value. Concentrates during each class session on a new painterly quality until a sufficient visual vocabulary is achieved so that more complicated subjects such as the nude can be approached. Work will be done in oil.May be taken twice for credit.
| Day | Start Time | End Time | Room |
|---|---|---|---|
Wednesday | 12:10 | 15:05 | M-015 |
For students with little or no previous experience in drawing or painting. First analyzes still life objects in basic plastic terms starting with value. Concentrates during each class session on a new painterly quality until a sufficient visual vocabulary is achieved so that more complicated subjects such as the nude can be approached. Work will be done in oil.May be taken twice for credit.
| Day | Start Time | End Time | Room |
|---|---|---|---|
Thursday | 13:45 | 16:40 | M-015 |
For students with little or no previous experience in drawing or painting. First analyzes still life objects in basic plastic terms starting with value. Concentrates during each class session on a new painterly quality until a sufficient visual vocabulary is achieved so that more complicated subjects such as the nude can be approached. Work will be done in oil.May be taken twice for credit.
| Day | Start Time | End Time | Room |
|---|---|---|---|
Friday | 15:20 | 18:15 | M-015 |
Techniques of the Masters Lectures, demonstrations, and workshops focus on materials and techniques used by artists over the centuries. Studies the historical background of techniques of drawing, painting, sculpture, and the graphic arts combined with a hands-on approach so that each student can experience the basic elements of the plastic arts.Please note that an additional fee will be charged for this course. May be taken twice for credit.
| Day | Start Time | End Time | Room |
|---|---|---|---|
Tuesday | 09:00 | 11:55 | M-015 |
For students who have little or no previous experience. Students learn how to see in three dimensions and work from observation. Mastery of structure and the architecture of form in space are acquired by the building up technique in clay. Work from plaster copies, nude models (male and female), and imagination are followed by an introduction to the carving technique. There is an additional fee in this course for materials.
| Day | Start Time | End Time | Room |
|---|---|---|---|
Thursday | 15:20 | 18:15 | M-014 |
For students who have little or no previous experience. Students learn how to see in three dimensions and work from observation. Mastery of structure and the architecture of form in space are acquired by the building up technique in clay. Work from plaster copies, nude models (male and female), and imagination are followed by an introduction to the carving technique. There is an additional fee in this course for materials.
| Day | Start Time | End Time | Room |
|---|---|---|---|
Thursday | 10:35 | 13:30 | M-014 |
This course focuses on traditional relief printing techniques for the creation of multiple identical images without the use of a printing press. Once the fundamentals are understood, experimentation is encouraged so that each student can learn how to best exploit the different methods to successfully translate sketches into a powerful printed document. In addition to the making of prints, students will study the history of woodblock and metal printing and will be asked to visit and write about several print collections.
| Day | Start Time | End Time | Room |
|---|---|---|---|
Friday | 10:35 | 13:30 | M-015 |
This introductory course is an exploration of both technical and aesthetic concerns in photography. Using a digital camera, students will produce original work in response to a series of lectures, assignments, and bi-weekly critique classes. The course will cover the fundamentals of photographing with digital SLR’s, and students will learn a range of digital tools including color correction, making selections, working with layers and inkjet printing. After mastering the basics, students will work towards the completion of a final project and the focus of the remaining classes will be on critiques. Students will be asked to make pictures that are challenging in both content and form and express the complex and poetic nature of the human experience. REQUIRED EQUIPMENT:
• A digital SLR or mirrorless camera that can shoot “RAW” files in FULLY MANUAL mode (the brand does not matter)
• An SD card of at least 8GB (SanDisk or Lexar brand)
• A camera lens (preferably a 50mm fixed-length lens, but zooms are ok)
• An SD card reader
• Two external hard drives of at least 500GB
• A portfolio box
Your course fee covers standard paper and ink usage, additional usage will be charged to your student account. AUP provides access to a photo inkjet printer, but DOES NOT PROVIDE CAMERAS, LENSES, SD cards, etc. Please note that it is the student's responsibility to purchase all required individual equipment.
Please note that an additional fee will be charged for this course.
| Day | Start Time | End Time | Room |
|---|---|---|---|
Wednesday | 09:00 | 11:55 | C-501 |
Firstbridge courses are offered to degree seeking freshmen and registration is done via webform in pre-arrival checklist.
| Day | Start Time | End Time | Room |
|---|---|---|---|
Tuesday | 15:20 | 18:15 | M-014 |