Course Catalog

TOPICS IN GENDER STUDIES (GS2910)

Topics vary by semester

COMMUNICATING FASHION (GS3004)

Explores what happens when dress and grooming become the basis for the modern phenomena of fashion. Studies the historical development of fashion: how fashion relates to the emergence of artistic, social, and economic forms and the ways fashion communicates ideas about status, gender, or culture. Investigates the role of media, advertising and marketing in the global fashion industry.

ART, CULT., & GENDER IN ITAL. RENAISSANCE (GS3014)

Gender in the Italian Renaissance Examines the art and culture of the Italian Renaissance from the ever-expanding modern perspectives of Gay and Women's studies. Studies the art of Donatello, Leonardo, Michelangelo and lesser-known artists, as well as Castiglione's Book of the Courtier, within the broad context of early modern history and in relation to contemporaneous sexual practices and gender roles. Includes Louvre visits.

GENDER, LAW, AND IDENTITY (GS3022)

Will investigate the various ways in which gendered norms of identity are defined, constructed, enforced, managed and even adjudicated through the narratives that inform and produce our social and legal realties. Class readings will include works by Judith Butler, Wendy Brown, Drucilla Cornell, Kimberlé Crenshaw, Nancy Fraser, Michel Foucault, Angela Harris, Nivedita Menon, and Denise da Silva, among others.

POLITICS OF HUMAN RIGHTS (GS3024)

Examines the work of international organizations, public and private, that are engaged in exposing the violation of human rights throughout the world, as well as the international agreements that have been concluded and the results of these agreements.

MEDIA & GENDER (GS3053)

This course introduces students to key concepts, theories and texts in the study of gender and media in a global context. By examining a range of media texts, modes of representation and production, we can analyse established patterns of how gender has come to be depicted and constructed by media, but also changes and challenges to these patterns. Particular emphasis will be placed on the role of power, discourse and ideology in these contexts. Topics of study will include gender roles, body image, empowerment, spectatorship and performance, sexuality, stereotypes and exploitation; examples will be drawn from media forms including advertising, film, television, journalism and the internet. An overview of important feminist, poststructuralist and queer theories will be central to critical approaches to this material.

QUEENS, FAIRIES & HAGS: ROMANCE OF MEDIEVAL GENDER (GS3075)

This course is a quest for understanding of the conventions of medieval romance, a genre of predilection for establishing codified, recognizable normative femininities and masculinities through the lens of gender, sexuality and feminist and queer theory. We will explore medieval texts and the social contexts of their production and reception, the aspirations and contradictions of the idealized, and the heteronormative world of knighthood and courtly love.

MODERN SEXUALITIES IN THE PROCESS OF WRITING (GS3076)

Considers a range of literary writing in which experimental prose and challenging depictions of sex have together defined a particularly subversive force. Reads these works against the development of particularly modern arieties of sexual identity and sexual behavior. Includes works by Genet, Nabokov, Orton, Bataille, Kathy Acker, Nella Larsen, among others.

POST-COLONIAL LIT. & THEORY (GS3081)

Explores literary works from Africa, Asia, India, Latin American, Ireland and/or the Caribbean alongside classics from the Western canon that address key colonial and post-colonial issues and concepts: imperialism, nationalism, globalization, empire, resistance writing, feminism, hybridity, border-crossing, exile and cultural translation. Introduces major voices in post-colonial literary and cultural studies, Franz Fanon, Edward Said, Homi Bhaba, and Gayatri Spivak.

EVOLUTION OF HUMAN SEXUALITY (GS3087)

Using the scientific method and data on humans, primates, and other animals, we will investigate the evolutionary basis of human sexuality, mating systems, and family structures. Why are there males and females, and how are they different? What are the underlying biological and social factors that shape human and non-human sexual identities and behaviors? Are humans “naturally” monogamous?