Course Catalog

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Course Catalog

PRINTMAKING I (AR1040)

This course focuses on traditional relief printing techniques for the creation of multiple identical images without the use of a printing press. Once the fundamentals are understood, experimentation is encouraged so that each student can learn how to best exploit the different methods to successfully translate sketches into a powerful printed document. In addition to the making of prints, students will study the history of woodblock and metal printing and will be asked to visit and write about several print collections.

DIGITAL PHOTOGRAPHY (AR1061)

This introductory course is an exploration of both technical and aesthetic concerns in photography. Using a digital camera, students will produce original work in response to a series of lectures, assignments, and bi-weekly critique classes. The course will cover the fundamentals of photographing with digital SLR’s, and students will learn a range of digital tools including color correction, making selections, working with layers and inkjet printing. After mastering the basics, students will work towards the completion of a final project and the focus of the remaining classes will be on critiques. Students will be asked to make pictures that are challenging in both content and form and express the complex and poetic nature of the human experience. REQUIRED EQUIPMENT:
• A digital SLR or mirrorless camera that can shoot “RAW” files in FULLY MANUAL mode (the brand does not matter)
• An SD card of at least 8GB (SanDisk or Lexar brand)
• A camera lens (preferably a 50mm fixed-length lens, but zooms are ok)
• An SD card reader
• Two external hard drives of at least 500GB
• A portfolio box
Your course fee covers standard paper and ink usage, additional usage will be charged to your student account. AUP provides access to a photo inkjet printer, but DOES NOT PROVIDE CAMERAS, LENSES, SD cards, etc. Please note that it is the student's responsibility to purchase all required individual equipment.
Please note that an additional fee will be charged for this course.

PAINTING PARIS (AR1090)

Paris and its surroundings will be used as the model for this introductory painting class. This exceptional setting has inspired artists for centuries, and students will work outside as well as study the wealth of images of Paris to develop their artistic possibilities and choose a direction for themselves. Initially, basic drawing and painting techniques will be taught with an emphasis on how to convey space, light, and volume to capture the beauty of the city. Progressively, students will be encouraged to paint in a more personal and expressive manner. Oil paint is recommended, but other media are welcome.
The course has an extra course fee of 49 euros. May be taken twice for credit.

TOPICS IN FINE ARTS (AR1091)

Topics vary by semester

FIRSTBRIDGE IN FINE ARTS (AR1099)

Firstbridge courses are offered to degree seeking freshmen and registration is done via webform in pre-arrival checklist.

TOPICS IN FINE ARTS (AR1910)

Topics vary by semester

DRAWING II (AR2012)

Explores in greater depth the concepts of drawing presented in AR 1010. Concentrates on the study of volume, the construction of shallow and deep space, and the design of shapes and negative space. Working from life provides the main focus; however, drawing from memory and collage develop visual imagination and personal expression.Please note that an additional fee will be charged for this course. May be taken twice for credit.

PAINTING II (AR2016)

Offers a basic study of visual analysis and contemporary painting techniques. Color theory and its practical application and a solid understanding of painting materials are central to the course. Working from life provides the main focus. Different methods of paint application are introduced, including direct painting, glazing, scumbling, and the use of the palette knife.Please note that an additional fee will be charged for this course. May be taken twice for credit.

SCULPTURE II (AR2032)

This course will focus on consolidating the basics of sculpture: firstly learning how to build up forms using planes and structure, and secondly mastering the carving technique. A nude model (male or female) will be posing for the class for at least 4 sessions, so if for any reason whatsoever this is problematic, the student is advised not to take the class. Proportions, measurements and axis will be discussed in detail, and numerous reviews of individual work will take place throughout the semester. The class will then focus on personal expression by creating from imagination, abstraction and figuration, and by developing an understanding of how to conceive and compose forms in space. The course will emphasize the different techniques not involving an armature. The main material used for sculpture will be clay. We will also study both Henry Moore and his approach to monumental sculpture and Alberto Giacometti’s creative world. A few excursions will be organized to museums. During these visits students will draw on sketch books with pencils or “sanguine” (red chalk).

JEWELRY MAKING (AR2035)

This course will introduce students to the key aspects of applied arts process: the influence of materials, of specific tools and techniques, of design constraints and the importance of justifying and visualizing their ideas. Students will improve their creativity by drawing and by handling specific materials and tools to develop a set of jewelry (models in brass and pewter).