Course Catalog

By promoting careful analysis of two landmarks of French literature while building skills in language and cultural semantics, oral and written communications, this course aims at helping students weave together literary meaning and cross-cultural belonging. By becoming more familiar with French literary language and mindscapes, students will further their understanding of L’Esprit français, the special relationship between literature and culture, writers and intellectual history in France.
The choice of works and pairings will differ every year according to the instructor’s interests.

This course builds on the skills acquired in Intermediate Latin I. You read longer, more difficult texts and train basic methods of classical philology and literary criticism, e.g., metrical and stylistic analysis, textual criticism, use of scholarly commentaries and dictionaries, recognizing levels of style and characteristic generic features.

The intellectual anti-heroes of Dostoevsky’s novels, novellas, and short stories from the period beginning in 1864 have left a more decisive and enduring mark on Western culture than those of any other Russian writer. The author’s struggles with poverty, poor health, imprisonment, epilepsy, and gambling led him to question the existence of any social, moral, or metaphysical order. His underground characters, divided between reason and will, confront lust, despair, schizophrenia, and insanity, sometimes descending into sado-masochism, rape, murder, and suicide. We will read this powerful fiction with an eye first to its Russian context and then to a sampling of its international repercussions (Gogol, Tolstoy, Gorky; Faulkner, Sartre, Bernhard …).

Approaches Western political discourses through major texts of 19th-century literature. Provides an introduction to socialism, anarchism, liberalism, and communism, and relates them to questions of literary production, arguing that the literary and the political imaginations are intimately related. Literary texts studied include fiction by Zola, Gaskell, Dickens, Turgenev, Dostoevsky, Chernyshevsky, and Conrad, and poetry by French and British writers.