Course Catalog

SCULPTURE II (AR2032)

This course will focus on consolidating the basics of sculpture: firstly learning how to build up forms using planes and structure, and secondly mastering the carving technique. A nude model (male or female) will be posing for the class for at least 4 sessions, so if for any reason whatsoever this is problematic, the student is advised not to take the class. Proportions, measurements and axis will be discussed in detail, and numerous reviews of individual work will take place throughout the semester. The class will then focus on personal expression by creating from imagination, abstraction and figuration, and by developing an understanding of how to conceive and compose forms in space. The course will emphasize the different techniques not involving an armature. The main material used for sculpture will be clay. We will also study both Henry Moore and his approach to monumental sculpture and Alberto Giacometti’s creative world. A few excursions will be organized to museums. During these visits students will draw on sketch books with pencils or “sanguine” (red chalk).

JEWELRY MAKING (AR2035)

This course will introduce students to the key aspects of applied arts process: the influence of materials, of specific tools and techniques, of design constraints and the importance of justifying and visualizing their ideas. Students will improve their creativity by drawing and by handling specific materials and tools to develop a set of jewelry (models in brass and pewter).

PARIS VU PAR LES PHOTOGRAPHES (AR2046)

This course aims to introduce students to the different arrondissements of the city of Paris and its immediate suburbs, their most unusual and secret aspects but also the most mundane by immersing them in the worlds of Doisneau, Cartier-Bresson, Atget, Kertész, Miller, Weiss, Lartigue, Newton, Klein, and other photographers. Tender and nostalgic icons of the popular Paris of Doisneau, darker and ambiguous visions of the nocturnal Paris of Brassaï and Kertész, historical representations of major events such as the Second World War or May 68, ideological images linked to the French colonial Empire and to decolonial movements, more modern images of Paris and its diverse and multicultural suburbs, images of photojournalism from the 2015 attacks...: these multiple and contradictory facets will encourage students to explore the city, to immerse themselves in its history and diverse culture. Through the photographs of these artists as well as literary or critical texts, students will discover the intimate faces of Parisians, their gestures, their habits, their values, their dreams, their disappointments, their fears. Students will measure the impact of the major historical events of the 20th century on their lives and will analyze urban transformations from the end of the 19th century to the present day.

2D MIXED MEDIA (AR2050)

2D Mixed Media is a course that demands experimentation. Each exercise will require the overlaying of at least two mutually compatible mediums to obtain visual effects that are impossible to achieve with a single medium. Further, non-traditional supports for each assignment will enhance the artwork of every student and introduce them to the many possibilities available to contemporary artists

GRAPHIC DESIGN STUDIO (AR2080)

In this course, students will be introduced to graphic design history and graphic design principles. They will learn to apply these principles through hands-on exercises and projects, using both analog means and digital tools (Adobe Photoshop). No prerequisites.

TOPICS IN FINE ARTS (AR2091)

Topics change each semester.
“For the course description, please find this course in the respective semester on the public course browser: https://www.aup.edu/academics/course-catalog/by-term.”

2D MIXED MEDIA (AR3050)

2D Mixed Media is a course that demands experimentation. Each exercise will require the overlaying of at least two mutually compatible mediums to obtain visual effects that are impossible to achieve with a single medium. Further, non-traditional supports for each assignment will enhance the artwork of every student and introduce them to the many possibilities available to contemporary artists.

JUNIOR SEMINAR (AR3090)

The Fine Arts Junior Seminar: concentrates on problems of contemporary art and how the student’s work relates to that. The seminar will be a study of the current art galleries, journals and online resources. Visits to galleries, museums and artists’ studios will be essential components as well as guest speakers, artists and professionals in the field. Class discussions should include analysis of contemporary art themes with each student expected to support their conclusions citing critical writings on art and statements and work of contemporary artists. Students are responsible to come to class prepared, having read the required reading and ready to discuss the material. Class participation is essential and will be taken into account for the final grade.

TOPICS IN FINE ARTS (AR3091)

Topics vary by semester

INTERNSHIP (AR3098)

Internships may be taken for 1 or 4 credits. Students may do more than one internship, but internship credit cannot cumulatively total more than 4 credits.