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Course Catalog

TOPICS IN CL & FRENCH (CL2090)

Topics vary every semester.
Pre-requisite: FR 1200

FRENCH FICTION NOW: TRADUIRE LE ROMAN FRANCAIS CONTEMP. (CL2094)

Ce cours introduira les étudiants aux techniques et aux problématiques de la traduction littéraire par le cas particulier des traductions en anglais de romans contemporains écrits en français. La traduction sera discutée comme un transfert culturel : en observant comment des écrivains représentatifs (Houellebecq, Djebar, Gavalda…) ont été reçus aux USA, et en GB, et en faisant le commentaire de trois traductions récentes. L’essentiel du cours sera consacré à l’expérience collective et individuelle de la traduction d’un livre non encore traduit.

INTRODUCTION TO CREATIVE WRITING: A CROSS-GENRE WORKSHOP (CL2100)

In this course, students practice writing fiction, creative nonfiction, and poetry while exploring the boundaries between genres. The workshop format includes guided peer critique of sketches, poems, and full-length works presented in class and discussion and analysis of literary models. In Fall, students concentrate on writing techniques. In Spring, the workshop is theme-driven. May be taken twice for credit.

WORD & IMAGE: LIT. & THE VISUAL ARTS (CL3002)

Looks at relations between language and visual form in the development of European modernism. Readings include works by Baudelaire, Pound, Joyce, Mallarmé, Woolf, Apollinaire, Lewis, Benjamin. Studies creative innovation as expression of utopian imagination, on a historical spectrum from Romantic synaesthesia, the interchange of sensory and cognitive pathways as desired transcendence, to the productive, open dislocations of modern capitalist society. Examines a wider cultural history of the integration of verbal and visual signs, and parallels in music, painting and theatre.

GREEK & ROMAN KEY TEXTS (CL3017)

In-depth study of Ancient Greek and Latin texts or authors of both literary and philosophical interest. Subjects may include, e.g., the comparison of a Greek and a Roman philosopher; close reading of the oeuvre, or part of an oeuvre, of one author; the literary and philosophical analysis of a collection of thematically and generically connected passages
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