Continues the study of selected monuments of painting, sculpture, and architecture, from the Renaissance to the 20th-century. Emphasizes historical context, continuity, and critical analysis. Includes direct contact with works of art in Parisian museums. The overall themes of the class may vary by semester.
Day | Start Time | End Time | Room |
---|---|---|---|
Monday | 12:10 | 13:30 | M-017 |
Thursday | 12:10 | 13:30 | M-017 |
Thursday | 13:45 | 15:05 | VISIT-1 |
Topics vary by semester
Day | Start Time | End Time | Room |
---|---|---|---|
Thursday | 10:35 | 13:30 | C-104 |
Topics vary by semester
Day | Start Time | End Time | Room |
---|---|---|---|
Friday | 10:35 | 13:30 | M-L04 |
Topics vary by semester
Day | Start Time | End Time | Room |
---|---|---|---|
Friday | 13:45 | 16:40 | M-L04 |
Firstbridge courses are offered to degree seeking freshmen and registration is done via webform in pre-arrival checklist.
Day | Start Time | End Time | Room |
---|---|---|---|
Friday | 16:55 | 18:15 | VISIT-1 |
Tuesday | 15:20 | 16:40 | M-017 |
Friday | 15:20 | 16:40 | M-017 |
Investigates the growth patterns of Paris from Roman times through the Second Empire. Studies major monuments, pivotal points of urban design, and vernacular architecture on site. Presents the general vocabulary of architecture, the history of French architecture and urban planning, as well as a basic knowledge of French history to provide a framework for understanding the development of Paris.
Day | Start Time | End Time | Room |
---|---|---|---|
Monday | 13:45 | 15:05 | M-L04 |
Wednesday | 13:45 | 15:05 | M-L04 |
Wednesday | 15:20 | 16:40 | VISIT-1 |
Investigates the growth patterns of Paris from Roman times through the Second Empire. Studies major monuments, pivotal points of urban design, and vernacular architecture on site. Presents the general vocabulary of architecture, the history of French architecture and urban planning, as well as a basic knowledge of French history to provide a framework for understanding the development of Paris.
Day | Start Time | End Time | Room |
---|---|---|---|
Monday | 16:55 | 18:15 | M-017 |
Thursday | 16:55 | 18:15 | M-017 |
Thursday | 15:20 | 16:40 | VISIT-1 |
We will study the visual arts from the Ancient Mediterranean in all media, including architecture, sculpture, vase painting, frescoes, mosaics, cameos, and jewelry. After a brief introduction about the legacy of Ancient Near Eastern and Egyptian art, the first half of the course will cover Greek art from the Aegean Bronze Age through the Hellenistic era. The second half of the course will focus on Roman art from the Etruscans through the end of the Roman Empire. Themes we will consider include the ideal of beauty and the development of the “canon,” portraiture and representations of the human body, and ideas about youth and age. To understand the relevance of studying ancient art in modern times, we will also include questions about forgeries and looting, and the contentious issue of cultural heritage. Students are expected to engage closely with original objects of ancient art on view in Paris.
Day | Start Time | End Time | Room |
---|---|---|---|
Friday | 09:00 | 10:20 | VISIT-1 |
Tuesday | 10:35 | 11:55 | M-013 |
Friday | 10:35 | 11:55 | M-013 |
This course will introduce you to the major works of the Italian and Northern Renaissance from 1300 to 1600. Emphasis will be placed on understanding artworks within their original cultural contexts, paying particular attention to the production and circulation of art in an age of exploration and discovery. Key themes and issues of consideration will include the idea of a classical revival and artistic self-fashioning, questions of imitation and style, courtly values, art collecting and the ethnographic print, as well as the religious debates of the period and the changing status of the sacred image.
Day | Start Time | End Time | Room |
---|---|---|---|
Monday | 10:35 | 11:55 | M-017 |
Thursday | 10:35 | 11:55 | M-017 |
Thursday | 09:00 | 10:20 | VISIT-1 |
Investigates economic and financial aspects of art over several historical periods. Examines painting, sculpture, drawing, and decorative arts as marketable products, analyzing them from the perspective of patrons, collectors, investors, and speculators. Studies artists as entrepreneurs. Assesses diverse functions and forms of influence exercised by art market specialists: critics, journalists, public officials, auctioneers, museum professionals, experts, and dealers.
Day | Start Time | End Time | Room |
---|---|---|---|
Wednesday | 09:00 | 11:55 | C-101 |